Our fascination with old Hollywood stars
By Catalogs Editorial Staff
Imagination is a plus when watching classic stars of screen and stage
She moves in slow motion down the wide marble staircase. Every man in the room senses her fashionably late arrival. Couples on the dance floor turn toward the glow. She’s a sultry hot-babe wrapped in a swath of white satin and a fragrant cloud of expensive perfume. Jean Harlow? Carole Lombard? Silent-screen star Clara Bow or Louise Brooks, whose petulance matched her dark beauty?
Our fascination with old
Popularity peaked with increased leisure time
Friday night was date night. It capped the work week and marked the pocketing of another pay check. Families with kids trooped into the aisles. Lovers in search of entertainment and a shield from prying eyes headed for the balcony. Saturday afternoon matinees were celluloid revels of hot buttered popcorn and licorice chunks coated with tiny multicolored beads of pure sugar.
All the greats?Garbo, Grant, Brando and kin? were on duty on the screen and on stage, too, at venues where heavy red velvet curtains were parted by stagehands pulling on thick, braided gold cords. Folks in the audience knew the names of every star in the cast. They knew who divorced whom and who was having an affair with you-know-who. These fans were afflicted with idol worship and they wanted no cure. Their idols lived in
Biographical information remains easy to access
Nevertheless, the old
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Psychological explanations relating to fan-aticism are many
Those who need to find a psychological basis for movie fans’ fascination with old
A genre could be found for anyone’s tastes
All that glitters is not gold, so the old adage proclaims. That may be true but when it comes to the stars of old
? My Man Godfrey (1936): William Powell and Carole Lombard
? Road to
? The Wolf Man (1941): Lon Chaney, Jr., Claude Rains, Bela Lugosi
? Some Like it Hot (1959): Billy Wilder, Jack Lemmon, Marilyn Monroe
? The
? The Hustler (1961): Paul Newman, Piper Laurie, Jackie Gleason
? Bonnie and
? Rosemary’s Baby (1968): Mia Farrow, John Cassavetes, Ruth Gordon
? The Producers (1968): Zero Mostel, Gene Wilder, Estelle Winwood
? Apocalypse Now (1979): Marlon Brando, Robert Duvall, Martin Sheen
Don’t touch that remote if you value your hand
Ask those who love old movies?and the stars that made them?if it’s okay to change channels just as the hero sweeps into his arms a damsel in distress. Interrupt these movie buffs as the damsel’s half-closed, long-lashed eyes plead for salvation?and a tender kiss. Ask any
Don’t touch that remote?unless you want to lose a hand?for you will never-never-never ever hear anyone who loves old Hollywood stars say, “Frankly, my dear, I don’t give a damn?if you turn off my old movie.
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